jennifer jacobs ucsbjennifer jacobs ucsb

She is the founder of Uproot, UCSB's first BIPOC art coalition. Professor Jennifer Jacobs researches ways to support expressive computer-aided design, art, and manufacturing by developing new computational tools, languages, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. Office: ED 3206, World Language (Spanish) Assistant Professor of Media Arts and Technology. His studio in Beijing specializes in live music performance over highspeed networks. 0000004438 00000 n Design and Tailoring of Alloys for Additive Manufacturing. 0000005687 00000 n Single-Subject (SST, Secondary) Content Supervisors: English-Language Arts . Kate Farms is strengthened by the heart and . Media Arts and Technology, Computer Science, University of California, Santa Barbara Born in 1945, Clarence Barlow obtained a science degree at Calcutta University in 1965 and a concert pianist diploma from Trinity College of Music London the same year. Department of History, 3251 Humanities and Social Sciences Building, www.history.ucsb.edu/faculty/w-patrick-mccray. She also received an M.F.A. Er zijn 800+ professionals die 'Jennifer Jacobs' heten en LinkedIn gebruiken om ideen, informatie en kansen uit te wisselen. Assistant Professor of Media Arts and Technology, Proceedings of the SIGCHI Conference on Human Factors in Computing Systems. What You Don't Know About Meby Jennifer Jacobs. In the course of our research, we explore new methods to integrate iterative systems engineering with professional creative practices. RHESSys is designed to provide science-based information about spatial patterns of ecosystem health and vulnerability in terms of water quantity and quality. Trained in computer science, design, and fine art, Jacobs received her Ph.D. from the Massachusetts Institute of Technologys Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. My favorite food: TACOS! 0000001180 00000 n [email protected] Copyright 2023. jennifer jacobs ucsb. CREATE released the real-time granulation app EmissionControl2 for MacOS, Windows, and Linux in 2020. Much of her work involves developing and using spatial simulation models to integrate data from multiple field-based monitoring studies in order to generalize results to larger watersheds. The Expressive Computation Lab (ECL) is a research group within the Media Arts and Technology Department at the University of California Santa Barbara directed by Prof. Jennifer Jacobs. Research has been funded by the National Science Foundation, the Robert W. Deutsch Foundation, UCSB Center for NanoTechnology in Society, University of California Faculty Senate Research Grants, University of California Institute for Research in the Arts. MAT provides a great opportunity to explore this domain". In this email, Birchim explains how many students are "finding themselves without options" for GH Jacobs. 223K followers. Please enable it to continue. Faculty-led research groups exploring research areas within computer science and its interdisciplinary applications. Jennifer Jacobs and Amit Zoran Hybrid Practice in the Kalahari: Design Collaboration Through Digital Tools and Hunter Gatherer Craft. 0000055655 00000 n Professor of Computer Science. 3) Broadening entry points into computer science learning by blending programming with art, craft, and design. Tobias Hllerer. Department of Germanic and Slavic Studies. Verified email at ucsb.edu - Homepage. He studied electronic music and computer music composition at California Institute of the Arts (CalArts) and the University of California, San Diego (UCSD) and received a Doctorate from the Universit Paris 8. ECL is seeking PhD students in MAT or CS for the 2020-2021 academic year. Elliot Hawkess research focuses on bringing together design, mechanics, and non-traditional materials to advance the vision of robust, adaptable, human-safe robots that canthrive in the uncertain, unstructured world. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. My particular expertise in this area is vision-based interfaces, using computer vision as an input modality: tracking, recognizing, and modeling people and their activity. His collection of electronic music compositions POINT LINE CLOUD won the Award of Distinction at the 2002 Ars Electronica in Linz and was released as a CD + DVD on the Asphodel label in 2005. The Laws of Cool: Knowledge Work and the Culture of Information, Local Transcendence: Essays on Postmodern Historicism and the Database, Transcriptions: Literature and the Culture of Information, Literature and the Culture of Information, Transliteracies: Research in the Technological, Social, and Cultural Practices of Online Reading. %PDF-1.4 % His research includes haptic engineering and perception, robotics, human-computer interaction, analog, digital, and spatial sound, motivated by emerging opportunities in human-computer interaction, sensorimotor augmentation of the human body, soft robotics, and interaction in virtual reality. Composer Joo Pedro Oliveira holds the Corwin Endowed Chair in Composition for the University of California at Santa Barbara. Prior to joining UCSB, Jennifer received her Ph.D. from the Massachusetts Institute of Technology and was a Postdoctoral Fellow at the Brown Institute of Media Innovation within the Department of Computer Science at Stanford University. jennifer jacobs ucsbhow to check how many warnings you have on roblox. University of California, Santa Barbara. MFA Hunter College This collection of links will get you to a load of information and resources you may find helpful while you're here. Ken is on the editorial board of the Journal of Organised Sound and advisor to the Electroacoustic Music Studies Asian Network (EMSAN). 223k Followers, 1,160 Following, 1,650 Posts - See Instagram photos and videos from JENNIFER JACOBS - Wellness Fitness & Nutrition (@jmethod) jmethod. AlloSphere Research Group. They are being embedded into the world around us, and we are carrying (soon wearing) them wherever we go. To answer these questions, our current work focuses on Human-Computer Interaction (HCI), eXtended Reality (XR), and Human-Centered Artificial Intelligence (AI). . Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Paris, France, April 2013. In 2010-11, he shared a Collaborative Research Fellowship from the American Council of Learned Societies with Cyrus Mody (Rice University) and Mara Mills (NYU) which will help support the writing of this book as well as a new project on "high tech intellectuals". ventana canyon golf membership fees; what ships are in port at norfolk naval base? Sarah Jacobs [email protected] Office: ED 3232. Human Computer Interaction Programming Language Design Computational Fabrication. Associate Post Doctoral Research Fellow 0000103163 00000 n This research was sponsored by the National Science Foundation in 2007-2009 and resulted in a Best Paper award at the 2008 International Computer Music Conference. Her research and teaching encompass environmental media, the history and theory of electronic media, game studies, science and technology studies, and sound studies. At UCSB, she directs the Creative Computing Initiative and co-directs Wireframe, a media studio that promotes collaborative theoretical and creative media practice with investments in global social and environmental justice. 0000008107 00000 n MFA Computers in Fine Arts, CADRE, San Jose State University. Amber Moran 0000006941 00000 n His book, Microsound (2001, The MIT Press) presents the techniques and aesthetics of composition with sound particles. Assistant Professor He recently received the NSF CAREER Award, the NASA Early Career Faculty Award, and the Packard Fellowship. Previously, heworked at the Harvard Microrobotics Lab and the ETH Multi-scale Robotics Lab. UC Santa Barbara Jennifer Jacobs Login to UC Santa Barbara. Many of her rides had remained available until a class purge in August 2020 . Copyright 2023. Website: ecl.mat.ucsb.edu The Expressive Computation Lab (ECL) is a research group within the Media Arts and Technology Department at the University of California Santa Barbara directed by Prof. Jennifer Jacobs. 0000003066 00000 n The visualization is scheduled for operation until 2019, with approximately 30000 items checked-out per day resulting at this time, in a collection of over 90 million datasets. 293: Beyond this, Tobias's main research interests lie in virtual reality, 3D displays and interaction, visualization, mobile and wearable computing, and adaptive user interfaces. 320: 1983: Cone-based vision of rats for ultraviolet and visible lights. He is a recipient of the National Science Foundation's CAREER award, for his work on "Anywhere Augmentation", which enables computer users to place annotations in 3D space wherever they go, employing the physical world as user interface. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. 0000132831 00000 n A composer of mixed media works, she received her Ph.D in 1984 from the Eastman School of Music, University of Rochester. All Rights Reserved. Expressive Computation Lab. and Ph.D. degrees in Computer Science from the University of California, San Diego (UCSD). Undergraduate research fellow at the Center for Black Studies Research. Connect. University of California, Santa Barbara. Jennifer Jacobs. Santa Barbara CA 93106-9490. David Young She is the recipient of a Brain and Behavior Young Investigator Award, a Robert Wood Johnson Foundation . Assistant Professor (Computational Craft and Haptic Media) The EC2 project was realized by a team consisting of Roads as project manager, with software developers Jack Kilgore and Rodney Duplessis. In 2010 he was awarded the lifetime achievement award from the Society for Electro-Acoustic Music in the United States (SEAMUS). Expressive Computation Lab website: ecl.mat.ucsb.edu. Jennifer Jacobs is a Ph.D. candidate at the MIT Media Lab in the Lifelong Kindergarten Research Group. 0000054815 00000 n Office: ED 3232, Single-Subject (SST, Secondary) 0000008750 00000 n He completed a PhD in Music at the University of New York at Stony Brook. 0000005074 00000 n from Smith College. Curtis Roads creates, teaches, and pursues research in the interdisciplinary territory spanning music and sound technology. In addition to this research, McCray is starting a new pilot project which considers the interaction between scientists, engineers, and artists during the first three decades of the Cold War. He holds joint appointments with the Department of Art and the Media Arts & Technology graduate program at the University of California Santa Barbara, and was appointed as Co-Director of the Univerisy of California system-wide Institute for Research in the Arts in 2009, where he is coordinating the art/science Integrative methodologies initiative. W. Patrick McCray is a professor in the History Department at UCSB. He is especially interested in the motives and ways these communities collaborated with one another, how Cold-War derived technologies such as lasers and digital computers were enlisted for artistic purposes, and the presence of Cold War themes such as nuclear war, cybernetics, and the Space Race in art from the 1950s, 60s, and 70s. Sep 2019 - Jun 20211 year 10 months. 0000007219 00000 n 0000000856 00000 n 0000001534 00000 n 0000010406 00000 n Faculty & Staff. [email protected] Dr. Visell spent more than five years in sound, signal processing, and interactive technology research at leading technology companies. Prior to UCSB, she was an Instructor at Harvard Medical School and the Department of Medicine/Division of Women's Health at Brigham & Women's Hospital. She was recently given the Creative Capital Award, the LACMA Art + Tech Lab Grant, the Steve Wilson Award from Leonardo, the International Society for Art, Sciences, and Technology, Carolyn Glasoe Bailey Foundation Art Prize, and the Craft Futures Grant from Center for Craft. Trained in engineering and physics, he received the PhD in Electrical and Computer Engineering from McGill University, and MA and BA degrees in Physics from The University of Texas, Austin and Wesleyan University. 0000004076 00000 n Crerar 390, 5730 S. Ellis Ave., Chicago, IL, Assistant Professor, Media Arts & Technology and Computer Science. Associate Professor Jennifer Jacobs, PhD, is an Associate Professor in the Elementary Education Program at the University of South Florida. PhD Massachusetts Institute of Technology ECL's objective is to foster the development of expressive computational tools for art, design, and engineering. 0000007962 00000 n UC Santa Barbara. Assistant Professor In 2008, CREATE released EmissionControl, a new program for sound granulation written by David Thall in consultation with Curtis Roads. Prior Employment Postdoctoral Fellow, Computer Science, Stanford University Office: ED 2218, English-Language Arts Professor Misha Sra is the John and Eileen Gerngross Assistant Professor and directs the Perceptual Engineering Lab in the Computer Science department at UCSB. Her research lab investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. The software was tested in performances on the 48.4 speaker Klangdom of the ZKM, the 54.1 AlloSphere at UCSB, and the 28.2 sound system of the Mumuth in Graz, Austria. Jennifer Jacobs and Leah Buechley Codeable Objects: Computational Design and Digital Fabrication for Novice Programmers. His current major project, which he started in 2005 as a University of California multi-campus, collaborative research group, is Transliteracies: Research in the Technological, Social, and Cultural Practices of Online Reading. [email protected], Jennifer Scalzo Office: ED 2218, History-Social Science Sarah Rosalena Brady is Assistant Professor of Art at UC Santa Barbara in Computational Craft and Haptic Media. Assistant Professor Her first book, 0000003695 00000 n (805) 893-2084 She also received an M.F.A. Her research examines ways to diversify participation and practice in computer programming by building computational tools for art, design, digital fabrication, and craft. Press, 1989), explored the relation between the imaginative experiences of literature and history. Office: ED 3234, Education Specialist Mild/Moderate Support Needs (ESC, Special Ed) Snap, United States and Computer Science, Princeton University, United States, Michael Nebeling Email: [email protected]. 0000057383 00000 n His publications include several articles in journals and a book on 20th century music theory. and B.F.A from Hunter College and the University of Oregon respectively. He was the lead DSP developer for Ableton Live, authoring an array of sound processing algorithms that are now used in music production across the globe. Organizations from academia, industry, government, and the non-profit sector that collaborate with UChicago CS. Legrady's artistic works have been supported by awards from the Creative Capital Foundation, the Daniel Langlois Foundation for the Arts, Science and Technology, the Canada Council for the Arts, the National Endowment for the Arts, and a John Simon Guggenheim Fellowship in Visual Arts in 2016. trailer <<4D7E78DE4B274649907D09471A97BDD3>]/Prev 346937/XRefStm 1555>> startxref 0 %%EOF 1333 0 obj <>stream The University of Georgia, +2 more Jennifer Jacobs Social Worker at Sir Moses Montefiore Jewish Home Greater Sydney Area. Extending Manual Drawing Practices with Artist-Centric Programming Tools In Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Montreal, QC, Canada, April 2018. Collectively, my research demonstrates how developing computational workflows, representations, and interfaces for manual and physical making can enable manual creators to leverage existing knowledge and skills. Distinguished Professor, MAT Diversity Officer. The lab is based in the California NanoSystems Institute and is affiliated with the Four Eyes Lab in MAT and Computer Science and the Center for Interactive and Visual Computing (CIVC). Karin Lohwasser Technical Director, AlloSphere Research Facility. Dr. Sen has been awarded more than $2.2 million in research funding, including an NSF CAREER award in 2009. In Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Denver, Colorado, USA, April 2017. His doctoral research examined the culture and technology of glassmaking in Renaissance Venice. Monica Scafide [email protected] Tobias Hollerer is Associate Professor of Computer Science at the University of California, Santa Barbara and Adjunct Professor in Media Arts and Technology. He is also the director of the MAT Systemics Lab, located in Elings Hall. University of California, Santa Barbara. Specialties: computer vision, human-computer interaction, multimodal/perceptual interfaces, gesture recognition. 0000009548 00000 n 7L\:v~7Yma{f-]"+P n]eph&dk@KAn+l94#sPkJ\Weje*KP Wl". UCSB Center for Responsible Machine Learning. brennan boesch career earnings cameron boyce funeral cameron boyce funeral Despite this trend, computational and manual forms of creation are not mutually exclusive. In his role as CREATE Research Director he leads interactive distributed computation research and development at the Allosphere Research Facility. JENNIFER JACOBS - Wellness Fitness & Nutrition. Research in HCI, with focus on Expressive and Creative Computing and Manufacturing. 0000002849 00000 n Phone: (813) 974-7522. Playing Nature: Ecology in Video Games, develops environmentally informed frameworks for understanding and designing digital games (University of Minnesota Press, December 2019). RE Touch Lab - Director and Principal Investigator. Jacobs works across the fields of computational art and design, human-computer interaction, and systems engineering. Professor My research lab investigates . 0000002325 00000 n In the mid 90s, his contribution to Inteational architectural discourse was further expanded by the coining and definition of the term "Transarchitectures" His approach: "we conceive algorithmically (morphogenesis); we model numerically (rapid prototyping); we build robotically (new tectonics); we inhabit interactively (intelligent space); we telecommunicate instantly (pantopicon); we are informed immersively (liquid architectures); we socialise nonlocally (nonlocal public domain); we evert virtuality (transarchitectures)". 0000058432 00000 n We need new ways of conveying and accessing information, without requiring undue effort or attention on our part. His interests are the algorithmic composition of instrumental, electronic and computer music, music software development as well as interdisciplinary activities, e.g. Her work is discussed in numerous books, for example, in "Internet Art" by Rachel Greene and "Digital Art" by Christiane Paul (Thames and Hudson). in Computer and Electrical Engineering. 0000008235 00000 n Supervisor: Maneesh Agrawala. He is a Fellow of the Optical Society of America and of the American Association for the Advancement of . From 2009 on he is the one of the series editors of the Arctic Perspective Cahiers series (Hatje Cantz and API). Among his books are the anthologies Foundations of Computer Music (1985, The MIT Press) and The Music Machine (1989, The MIT Press). Jennifer Richard (Jacobs) Marketing Manager - Aortic & Peripheral Vascular Health, Australia & New Zealand at Medtronic Greater Sydney Area. George Legrady, Distinguished Professor of Digital Media. He worked in interactive art and design R&D at FoAM, Belgium, at the Interaction Design Institute Ivrea, and at the art+technology organization Zero-Th, which he co-founded in 2005. Facebook; Instagram; LinkedIn; YouTube; Based on funding mandates. Computers are increasingly displacing many manual practices in favor of procedural, generative, and automated production. 51:6000-6019. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. In a series of theoretical essays in the 1990s, he explored cultural criticism, the new historicism, and postmodernism in contemporary literary studies. Jennifer Jacobs, Assistant Professor Media Arts Technology Program Gregory Johnson, Professor Religious Studies Georgios Koutroulakis, Lecturer PSOE Physics . Pre-Professional Coordinator: JENNIFER JACOBS Updated: December 9th, 2022. JENNIFER JACOBS Updated: Oct 21st, 2019. He currently leads one of the CNSs research initiatives; this explores the history of nanotechnology and its place in the broader context of the 20th century science and technology. A pioneer in the development of granular synthesis (1974), he also developed (with Alberto de Campo) the program PulsarGenerator (2001), distributed by the Center for Research in Electronic Art Technology (CREATE) at UCSB. Dr. Jacobs is a faculty member at UC Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). Current projects involve bio-inspired microstructured adhesive materials, non-linear compliant mechanisms, high-power soft actuators,soft exoskeletons, and growing robots. 0000000016 00000 n He initiated and in 1986 co-founded GIMIK: Initiative Music and Informatics Cologne and served as chair for thirteen years. I am strangely not a huge fan of capers. 1. A researcher at MIT (1980-1986), he also worked in the computer software industry for a decade. trailer <]/Prev 263262/XRefStm 1180>> startxref 0 %%EOF 754 0 obj <>stream With Dr. Joseph Tilbian, he developed the Stride programming language aimed at simplifying development for interactive embedded and heterogenous systems. All rights reserved. Our goal is to create human-machine systems that extend the body and the mind, leaving us free to learn, to create, to think and to feel (Clynes and Kline. He edited the anthology Musical Signal Processing in 1997. Chandra Krintz is a Professor at the University of California, Santa Barbara (UCSB). 0000003473 00000 n His research and teaching focuses on the visual digital humanities, with a special interest in the epistemology and aesthetics of computer vision and machine learning.

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